GEORGE KAMPER + INVITATION HOMES

August 16, 2022
George Kamper had the opportunity to leverage his enthusiasm and high energy to capture an array of black and white portraits to be used against a deconstructed Invitation Homes logo. The campaign was designed for employee recruitment and the shoot was about bringing forward feelings of confidence, inclusiveness, fun, and a nurturing environment for their careers.

Casting was vitally important to the success of the shoot! Those 3 Reps coordinated with the producer, talent agents, and the agency and we got a great mix of actual employees and professional talent. Sourcing a studio with great natural light and lots of chairs and couches to choose from is what made a great overall look and feel.

We had a fast-paced schedule that needed to capture twenty people as individual portraits and a variety of group shots. This approach required two lead hair/makeup artists and two wardrobe stylists to accommodate the needs. We think George did a great job at capturing their unique and individual personalities.

Wrapping with a few minutes to spare... we raised a glass to the success of the shoot, a feeling of accomplishment, and great images to utilize in their campaign.  🥂 

Client accolades:  


"Work turned out great, the client is ecstatic, and everyone here at the agency can’t say enough good stuff about you and your craft.”


"Thanks for making us all look so good!"

 

"Thank you, George, for your amazing gifts. You made the clients so happy (and me, of course). The images are beautiful, and you managed to expand the concept to one of joy, rather than just happiness". 

see more of George's work here!
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Weaving History and Storytelling into Every Brushstroke Eric Cash’s work is defined by meticulous attention to detail, a deep understanding of history and culture, and an ability to weave personal narratives into each piece. His art invites viewers to explore rich stories and unique visual experiences, blending technical expertise with a genuine passion for storytelling. With this approach, Eric brings a distinctive and thoughtful style to every project, making him a fantastic resource for original commercial work. The painting Sunday Night (60” x 48 1/2”) captures a typical American family watching the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. The scene includes a mother, father, two girls (one visiting), and a younger brother, each with distinct characteristics that hint at their roles and reactions to the historic event. The visiting girl is holding a Meet the Beatles album and a Life magazine spread, while the brother is trying to filter out the girls' excitement with his hand over his ear. The father, uninterested, waits for "real talent" to appear, and the mother seems unsure, reflecting the general adult sentiment at the time. The artist draws from personal experience and memories, incorporating items like his mother's sewing basket and grandmother's tension lamp as personal Easter eggs within the painting. The TV guide and props, like Anacin and Kent cigarettes, help tell the dad’s story, with subtle nods to the 1964 cultural context. A Mercury mission headline is included in the background to tie in real-world events from that day.