DARREN CARROLL + TAYLOR TOMLINSON
December 2, 2022
Darren Carroll
is used to photographing live performances— "I’ve spent years working with Texas musicians like Robert Earl Keen, Lyle Lovett and Patty Griffin, to name a few—but I’d never been given the chance to shoot a live comedy show. So when Taylor Tomlinson’s agency contacted me about photographing her show at Austin’s iconic Paramount Theater, I jumped at the chance. I’ve enjoyed Taylor’s work for a while now and was excited to not only see her show in person, but also to return, for the first time post-pandemic, to a wonderful and photogenic location that has a long history in my hometown’s cultural scene."
"Photographing a live show dovetails quite nicely with shooting live sporting events, which I also do with a bit of regularity. The two employ very similar methodologies, whether it be the use of mixed focal lengths, trying to convey both a sense of place, or providing tight images of the subject, all while needing to capture the important moments of a performance that can’t be replicated, with a performer whom you can’t just ask to go back and do another take. The one big difference that I found, however, is that it’s difficult to frame and focus when you’re cracking up so hard that there are tears streaming down your cheeks, and it’s really hard to hold a camera steady when you’re doubled over with laughter."
✨ Lincoln Durham - 3D Character Design + Animation - Rolling Loud Music Festival ✨ Lincoln Durham created this dynamic sizzle reel showcasing some of the 2D and 3D animations he developed for the Rolling Loud Music Festival across various cities, in collaboration with Zellus. These animations were primarily used for social media promotions and as NFTs to further engage festival fans. The original artwork, provided by an undisclosed artist, served as still illustrations that Lincoln brought to life by adding motion and sound. For the 3D scenes, he sculpted and rigged characters inspired by the 2D illustrations, using them as a foundation to build out a story line based on direction from Zellus. Lincoln’s ability to seamlessly blend 2D and 3D animation, along with his expertise in motion and sound design, brings energy and depth to every project. His work for Rolling Loud is just one example of how he transforms static illustrations into immersive, high-impact visuals. Looking to elevate your next project with dynamic animation? Consider Lincoln for your upcoming creative needs!
Capturing Life’s Best Moments with Amy Mikler For lifestyle photographer Amy Mikler , people will always be her favorite subjects. Among them, children and seniors hold a special place in her heart. “People will always be my favorite subjects, and kids and seniors are perhaps my two favorite people groups to work with. Possibly because they share some similar characteristics,” she shares. “I never know what they will say, they know how to enjoy life's simple pleasures, and often have a quirky fashion sense. They are also unapologetically honest and learn how to laugh at themselves, which keeps the set fresh and endlessly interesting.” Having grown up surrounded by vibrant, full-of-life relatives, Amy understands that aging doesn’t mean slowing down. A few years ago, she put this belief into action with a “golden years” test shoot, built around the idea that laughter is a lifelong necessity. The result? A high-energy, joy-filled session where seniors enthusiastically took on cannonballs, dancing, and even water fights. “I’m not sure who laughed more—me or them,” Amy recalls.
Weaving History and Storytelling into Every Brushstroke Eric Cash’s work is defined by meticulous attention to detail, a deep understanding of history and culture, and an ability to weave personal narratives into each piece. His art invites viewers to explore rich stories and unique visual experiences, blending technical expertise with a genuine passion for storytelling. With this approach, Eric brings a distinctive and thoughtful style to every project, making him a fantastic resource for original commercial work. The painting Sunday Night (60” x 48 1/2”) captures a typical American family watching the Beatles' first appearance on The Ed Sullivan Show on February 9, 1964. The scene includes a mother, father, two girls (one visiting), and a younger brother, each with distinct characteristics that hint at their roles and reactions to the historic event. The visiting girl is holding a Meet the Beatles album and a Life magazine spread, while the brother is trying to filter out the girls' excitement with his hand over his ear. The father, uninterested, waits for "real talent" to appear, and the mother seems unsure, reflecting the general adult sentiment at the time. The artist draws from personal experience and memories, incorporating items like his mother's sewing basket and grandmother's tension lamp as personal Easter eggs within the painting. The TV guide and props, like Anacin and Kent cigarettes, help tell the dad’s story, with subtle nods to the 1964 cultural context. A Mercury mission headline is included in the background to tie in real-world events from that day.